Precedents in Architecture. New York: Van Nostrand Reinhold, 1985. drawings and diagrams, p22-23. — Updated edition available at Amazon.com. Dan Cruickshank, ed. AJ Masters of Building, Erik Gunnar Asplund. Article by Dan Cruickshank and Kirstin Nielsson. Photographs by Martin Charles. London: The Architect's Journal, 1988. ISBN 1-870308-35-2.
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As a professor of architecture at the Royal Institute of Technology, and a designer often cited for his contributions to Nordic Classicism, Swedish architect Gunnar Asplund (September 22 1885 – 20 "Wrede's book is both timely and significant, for it offers a critical assessment of Asplund's work while at the same time increasing our awareness of one of 20th century architecture's more enigmatic figures." - AIA Journal "In format, this book is a model of architectural history. The text and illustration are beautifully integrated. Erik Gunnar Asplund, born in Stockholm in 1885, was a Swedish architect, mostly known as a key representative of the Nordic classicism of the 1920s. He studied architecture at the Royal Institute of Technology in Stockholm. After completing his studies, he worked for Asplund Tengrom architects, Westman and Ostberg. Eric Gunnar Asplund was born in Stockholm in 1885. He studied at the Technical School and then at the Academy of Art, graduating in 1909.
Among the most important works of Asplund is the Stockholm public library , built between 1924 and 1928, which represents the prototype example of Nordic classicism and the so-called Swedish grace movement. Gunnar Asplund (22 September 1885 – 20 October 1940) was a Swedish architect who is notable for his contributions to Nordic Classicism. Gunnar Asplund was the interwar period’s leading architect in Sweden. He completed more than 40 building projects. It would be a lie to claim that the yellow brick buildings in Solna, which he designed in the 1930s on behalf of the Swedish Institute for Communicable Disease Control, are particularly noteworthy. By that time, Gunnar Asplund had already been the main architect for the Stockholm Exhibition of 1930, in which modernism and functionalism had their major breakthrough in Sweden.
acceptera (1931) is a Swedish modern architecture manifesto written by architects Gunnar Asplund, Wolter Gahn, Sven Markelius, Eskil Sundahl, Uno Åhrén, and art historian Gregor Paulsson.Claiming that Swedish “building-art” (byggnadskonst) has failed to keep pace with the revolutionary social and technological change sweeping Europe in the early 20th century, the authors argue that the
One of the most prominent of Swedish architects of the first half of C20. His first works show the influence of National Romanticism (the villas Selander (1913) and Ruth (1914)), but after a period in Germany he adopted Neo-Classicism.His mastery of Neo-Classical themes was demonstrated in Stockholm at the Skandia Cinema (with its Pompeian interior colouring When Gunnar Asplund joined the committee as architect in 1918, the design of the building was already subject to study by expert librarians. Thus, Asplund's work focused on a synthesis of existing ideas rather than personal invention. Asplund's assignment was to create an overall design, which combined a both functional and symbolic approach.
Designed by noted Swedish architect Gunnar Asplund during the 1920s, the library is the physical manifestation of a transitionary period in both the rationale of its
Engfors, Christina (red): Lectures and Briefings from the International Symposium on the Architecture of Erik Gunnar Asplund. Stockholm, 1986. Korte, Martin: Archetypen. Ihre Herkunft ind Bedeutung bei Erik Gunnar Asplund. Gunnar Asplund, Swedish architect whose work shows the historically important transition from Neoclassical to modern design. Asplund was educated at the Academy of Fine Arts in Stockholm. His exposure to classical architecture on a trip to Greece and Italy (1913–14) made a profound impression.
He was born in 1885 in Stockholm. He studied architecture at the Royal Institute of Technology. By that time, Gunnar Asplund had already been the main architect for the Stockholm Exhibition of 1930, in which modernism and functionalism had their major breakthrough in Sweden. Whereas the other rooms are furnished in a neo-classical style, this room is functionalistic, and instead of mahogany and brass ornaments, concrete and stainless steel dominate the room. Gunnar Asplund was born in Stockholm. He studied at the Technical High School and then at the Academy of Art, graduating in 1909.
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His parents were taxman Frans Otto and his wife Louise Asplund.
Asplund's assignment was to create an overall design, which combined a both functional and symbolic approach. Nicholas Adams, Gunnar Asplund’s Gothenburg: The Transformation of Public Architecture in Interwar Europe, University Park: Penn State University Press, 288 pages, 152 illustrations, 2014, ISBN: 978-0-271-05984-6 Janne Ahlin, Sigurd Lewerentz, Architect 1885–1975, with an epilog by Wilfried Wang, Zürich: Park Books, 204 pages, 29 colour and 307 b/w illustrations, plans and drawings, 2014
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Gunnar Asplund Library Annex Competition - Stockholm, Sweden.
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Erik Gunnar Asplund, which is his full name, was born September 22, 1885 in Stockholm. His parents were taxman Frans Otto and his wife Louise Asplund. In 1904 he passed his matriculation at the Norra Latin secondary school in Stockholm and a year later he was accepted as a student at the Royal Technical University of Stockholm, where he 1909 received his degree in architecture.
Finnish architect. Employing photo and text panels, GUNNAR ASPLUND provides an important and long-overdue analysis of Asplund's remarkable oeuvre. Although his work has had an important influence on a small group of today's leading architects and theorists, Asplund has remained largely unknown to a wider postwar generation.
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In the west coast port city of Gothenburg, Sweden, the architect Gunnar Asplund built a modest extension to an old courthouse on the main square (1934–36).
Stockholm Public Library (1928) Erik Gunnar Asplund Stockholm City Library. Architect Gunnar Asplund People: Unknown (photographer) Erik Gunnar Asplund (architect) Sigurd Lewerentz (designer) E. Ragndahl (engineer) Erik Gunnar Asplund Hylla. 118:30:225. Personnamn. Wrede, Stuart.
Gunnar Asplund (22 September 1885 – 20 October 1940) was a Swedish architect who is notable for his contributions to Nordic Classicism.
Erik Gunnar Asplund is considered as the most important Swedish architect of the 20th century. He studied painting at the Royal Art Institute and at the Stockholm Free Architecture School. He taught architecture at the Royal Art Institute.
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